Abstract

Communication is fundamental to the structure, governance, and cultural expression of human society. Silappathikaram, the celebrated 2nd-century CE Tamil epic authored by Ilango Adigal, serves not only as a masterpiece of classical Tamil literature but also as a comprehensive socio-historical record of early South Indian civilization. This research paper examines the diverse aspects and mechanisms of communication depicted in Silappathikaram through the framework of modern communication theories.

The study analyzes primary modes of message transmission—including verbal proclamations (murasaraiyuthal), non-verbal visual symbols, body language in classical dance (kinesics), and written epistles (mudangal). Furthermore, it evaluates diplomatic communication and statecraft through royal emissaries, as well as the structural barriers to communication—specifically information distortion (miscommunication) as exemplified by the goldsmith’s deception and the king’s flawed judgment. Special attention is given to Kannagi's rhetoric in Vazhakkurai Kathai as a model of persuasive, evidence-based discourse. The findings demonstrate that ancient Tamil society possessed a highly sophisticated, multi-layered communication infrastructure that integrated political administration, art, commerce, and ethical norms.

References

6 references
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How to Cite

Communication Aspects in Silappathikaram. (2026). Tamilmanam International Research Journal of Tamil Studies, 20(02), 52-58. https://doi.org/10.63300/gc2znn66

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